My Fair Lady

Oh Eliza!

Wendy Hiller, Julie Andrews, and Audrey Hepburn. What do these three ladies have in common? Each lady has dazzled audiences in the leading role of Eliza Dolittle in My Fair Lady. These three accomplished actresses transform with Eliza from a Cockney accented flower seller to regal “Hungarian princess”.  

Wendy Hiller
Wendy Hiller Reading

Our first notable Eliza is Wendy Hiller, who appears in the 1938 British film adaptation of George  Bernard Shaw’s play Pygmalion. It was only natural for Hiller to be cast in the lead as she had already portrayed the character on the Festival Theatre stage in Malvern Worcestershire, England in 1936.

The film adaptation featured Hiller as leading lady and Leslie Howard as Henry Higgins. The adaptation itself was an Oscar winner for Best Screenplay and Hiller received an Oscar nomination for Best Actress.

The film held a first for Ms. Hiller. She became the first actress to utter the word “bloody” in a British film. The line, “Not bloody likely, I’m going in a taxi!” was in the original play and the filmmakers decided to keep the line in the film.

Throughout her 60 year acting career, Hiller was primarily a stage actress, but her most notable film roles include the role of Pat Cooper in the 1958 film Separate Tables, earning her an Academy Award for Best Supporting Actress, and the 1974 film Murder on the Orient Express as Princess Dragonmiroff, earning her the Evening Standard British Film Award for Best Actress.

Julie Andrews
Julie Andrews

Eighteen years after the film Pygmalion, the screenplay was adapted to the hit musical starring Rex Harrison as Professor Henry Higgins and leading lady Julie Andrews as Eliza Dolittle

The musical made its Broadway debut at the Mark Hellinger Theatre in NYC on March 15, 1956. The musical ran for a total of 2,717 performances, with its last being on September 29, 1962. At that time, it was a record breaking run! However, Harrison and Andrews did not appear in all of the performances. In 1957, Harrison was replaced by Edward Mulhare and in 1958 Andrews was replaced by Sally Ann Howes (who you may recognize as the actress who played Truly Scrumptious in the 1968 film Chitty Chitty Bang Bang).

In 1958, Rex Harrison and Julie Andrews reprised their roles in the London production of My Fair Lady. The production ran for 2,281 performances, with Harrison and Andrews exiting their roles in 1959.

Accolades all around! In 1957, the Broadway musical was a Tony Award winner with Julie Andrews receiving a nomination for her leading lady role.

Audrey Hepburn
Audrey Hepburn

For the 1964 film adaptation of My Fair Lady, producer Jack Warren cast Audrey Hepburn in the lead role, coming as a shock to the many fans of Julie Andrews! This was considered outrageous because fans believed Andrews was the embodiment of Eliza and that the role was made for her.

Another surprise came when audiences found out that Hepburn’s singing voice was not her own, and that it was in fact dubbed by Marni Nixon. While Hepburn’s vocals were not considered “good enough” for the role, her vocals can be heard in the chorus of the musical number “Just You Wait”.

At the 1964 Academy Awards, Andrews won Best Actress for her lead role in Mary Poppins, the award for Best Actor went to Rex Harrison for his role as Professor Henry Higgins, and the award for Best Picture went to My Fair Lady. While the film My Fair Lady received nominations in every major category, Audrey Hepburn did not receive a nomination for Best Actress in her role as Eliza. It is said that the lack of nomination, along with Andrews’ Oscar win, was to show support to Andrews and disapproval to Jack Warner for his refusal to cast her in a role that was viewed as rightfully hers.

While there was much controversy surrounding Hepburn in the role of Eliza Dolittle, Hepburn was a star and icon in her own right. Her prominent films include Breakfast at Tiffany’s, Sabrina, and Roman Holiday, just to name a few. Hepburn was a recipient of an Academy Award for Best Actress for Roman Holiday and a recipient of the British Academy of Film and Television Arts (BAFTA) Awards for Best British Actress for her roles in Roman Holiday, The Nun’s Story, and Charade.

ASPI’s very own Abby Frank will follow in the footsteps of the women before her to bring Eliza Dolittle to the stage.

Tickets are on sale NOW and wouldn’t it be loverly for you to join us! Performances run March 20-22 and March 27-29. Just you wait! This production is sure to be anything but ordinary. For more information check out https://abramsspotlightproductions.com/ or call the Box Office at (920)826-5852.

ASPI patio

How Building a Patio Also Built a Community

What started out as a simple sidewalk project morphed into something much more this summer. The Nancy Byng Community Theater now has an entirely new element which will make a long-term impact – an outdoor patio. The patio beautifully dresses up the theater’s entrance with a colorful flowerbed during the day and twinkling lights in the evening. It’s the perfect backdrop for mingling, day or night.

We now have a gathering area that can be used for various purposes, including our opening night gala and Happy Hour before a comedy show. We can sell food and beverages outdoors, creating an ongoing source of additional revenue for the theater.

In addition, as was our original goal, the patio provides a safe pathway for our actors from the backstage exit. It also alleviates water-ponding issues that occurred in that spot.

The patio became a possibility due to a generous $1,500 gift from the Leon H. and Clymene M. Bond Foundation. We allocated an additional $1,300 to complete the landscaping and new backstage stairway, but took seriously the challenge to stay within the budget based on the foundation’s gift.

In order to complete what should be a $12,000 project, we solicited the help and assistance of many of our friends. Once others understood that our goal was to do this within the scope of the Bond Foundation gift, they stepped up to the challenge. This is an inspiring example of how to be good stewards of the foundation’s generosity while creating community.

The following businesses and individuals contributed equipment, labor and materials:

  • Jackie Foster Inc.
  • Central Heating LLC
  • Wirtz Septic Pumping
  • Duame Sand and Gravel Inc.
  • Jerry Parham and crew
  • Mike Konkel
  • Joe Konkel
  • David Jolly
  • Bill Koehne
  • Chris Weiss
  • Jerry Schmit
  • Steve Druckrey
  • Brigette Finger and family

By combining time, talent, and treasure, we successfully completed the patio project while forging new partnerships in the community. We’re looking forward to spending many relaxing hours on the outdoor patio. We hope you’ll join us.

Footloose The Musical

And 5, 6, 7, 8!

Choreography:
noun
the movements used by dancers esp. in performing ballet, or the art of planning such movements

In other words, choreography is what can take a show from BLAH to WOW!
For ASPI’s upcoming production of “Footloose: The Musical”, we have two choreographers, Ali Carlson and Jennifer Hibbard, dedicated to creating the dance numbers for the show and to teach those dance numbers to the cast.

Ali has been dancing since the age of 3. With her entire family being involved in the theater, she got involved at an early age. However, it wasn’t until she was an adult that she found her passion for choreography.

Jennifer has danced jazz and ballet since the age of 7 and has received a secondary major in dance from Butler University, Jordan College of Fine Arts. Fun fact: Jennifer started and ran her own dance studio for 10 years.

Both have many years of choreography experience under their belt, so who better to explain the importance of choreography and how it goes from rehearsal to the stage!

The choreography process begins by creating the dance numbers. That creative process takes a lot of preparation and is different for every choreographer! One approach is to work with the Director of the production to get a feel for the style of the show, which is different for every production. The choreography is one way to set apart one musical from the next. For example, the free-spirited nature of “Footloose” is going to be different from the sultry atmosphere of “Cabaret”. For the next step, the choreographer looks at the cast and their abilities and creates the dance numbers from there. Other factors in the beginning stages of choreography include the spacing in the theater and the timeline of the production.

For this end of June production, choreography rehearsals began at the beginning of May. Teaching the choreography to the cast usually begins after the music has started- it’s important for the cast to know the music first before learning movement. Once the teaching portion is complete, it’s then time for REVIEW, REVIEW, REVIEW! A Dance Captain is crucial for running reviews at rehearsals. For “Footloose”, Bella Frank is serving in the role as Dance Captain. Did we mention the role is crucial? The show would not run without her!

What are our two choreographers most excited about for “Footloose”?

Jennifer- To see the enthusiasm and joy the cast portrays. It’s such a fun cast!

Ali- Seeing the performers develop from audition to opening night! That is always my favorite part. They start out scared, then I challenge them (and sometimes I can see the overwhelming feeling… but the actors have such perseverance), to opening night where they know they GOT THIS!! It’s such a great feeling to know that I had a part in their development from start to finish.

Come see the choreographers and the cast kick off their Sunday shoes for ASPI’s production of “Footloose: The Musical”! Tickets are on sale NOW! Showtimes include June 21, 22, 28, and 29 at 7pm and June 22, 23, 29, and 30 at 1pm. To purchase tickets, check out the ASPI website at AbramsTheatre.com or by calling the box office at 920-826-5852.

Special thanks to Ali Carlson and Jennifer Hibbard for their contribution to the blog post. You may have recently seen Jennifer and Ali on stage for ASPI’s production of “Cabaret”. When not on stage, you can find Ali behind the scenes as ASPI’s Resident Production Coordinator as well as ASPI Board Secretary.

Oliver

♫ Let’s Hear it for the Funding ♫

In our last post, we talked about all the volunteers and community support that it takes to make ASPI a success. After the last blog post, you may be thinking, so where do the funds come from to maintain the theater building, daily operations, and production costs?

ASPI needs not only the community’s time and talents, but also monetary support. The theater is largely funded through ticket sales, so come see our shows! Invite your friends. Spread the word about this hidden gem in Abrams.

(Also, those yummy concession stand snacks also go back to support the theater. Supporting the theater never tasted so good ?)

Other ways the community can contribute to the theater is through sponsorships, advertising, and donations.

Sponsorships start as low as $25 per year through $500+, and sponsorships are acknowledged with our gratitude in the production programs. Did we mention that sponsorships at the higher levels get discounted ticket prices? Click here  to learn more about how you can sponsor ASPI.

Advertising is a way for businesses to support the theater and vice versa. A full page black and white ad is only $180 for the year. This ad will appear in the season’s programs of all four productions. With 8 performances per production there is the potential of reaching 3,000+ people. Advertisers also receive 2 complimentary tickets to 3 of the 4 shows that year. That is a $90 value! Through the advertising, ASPI also seeks to support and promote area businesses.

And finally, ASPI accepts monetary donations of any amount. That is how we were able to fund our new cushioned chairs, through the generous donation of the Bond Foundation . A quick and easy way to donate is online at our website. Follow the link here.

Looking ahead, the financial vision of ASPI is to be debt free of the mortgage in approximately 5 to 7 years. In the long term, other potential updates to the theater space include additional bathroom space, a new roof, an updated sound system, and LED lighting for the stage.

Also looking towards the future, the theater is looking into ways to make good use of the theater space during down times. This includes renting the theater space for weddings, gatherings, and funerals. Most recently, the theater hosted an Abrams Spotlight Wedding Show, which brought together Northeast Wisconsin wedding vendors for a spring wedding show in a unique and quaint setting.

Again, the theater thrives off community support, whether that be through volunteering time, attending shows, spreading the word, or through financial support. We want this community theater to be at the heart of its community, for the community to see the theater as their own.

Want to be part of ASPI and the theater family? Have questions about how you can financially support the theater? Contact the box office at (920)826-5852!

Special thanks to Jim Klein for his contribution to the blog post! 

Theater Chairs Bond Foundation

ASPI Needs YOU

Did you know that Abrams Spotlight Productions, Inc. (ASPI) is completely run by volunteers?

You read that right! The theater, from performers and production crew to set designers and the box office, even the board of directors, is entirely dependent on volunteers. So how does that work?

ASPI is considered a 501c3 nonprofit organization. While many nonprofits may have paid staff to assist in day to day operations, ASPI relies on the generosity and commitment of its community members. Each production, and the time in between, involves hundreds of hours of volunteer help. So, you can count on the theater being seldom empty or dark, even between productions. 

“We have been blessed with a very dedicated active board and volunteer staff. They are not only on the sidelines giving direction or orders but putting in countless hours to make this theater thrive and standout,” says board member Jim Klein.

You got a talent, we’ll take it! You may not even realize it, but you have a talent that ASPI needs.

Here is just a preview of the roles and skills needed to keep ASPI running: directors, performers, production crew, set designers and builders, costumes people, prop masters, ushers, box office attendees, board of directors, maintenance, repair, upkeep, lawn work, flower beds, painting, plumbing, etc.

And this is just naming a few!

Mr. Klein says it best, “ASPI loves to be the community theater in the heart of little Abrams… We want the community to take ownership of this hidden gem.”

That is what makes ASPI so special! It thrives off its community support.

If you have any questions or want to learn more about how you can volunteer at the theater, call the theater’s box office at (920) 826-5852 and check out the Volunteering section of our website.  

Stay tuned because in our next blog post we will discuss how you can financially support and get involved in ASPI!

Special thanks to Jim Klein for his contribution to the blog post. Mr. Klein was inducted as an ASPI board member in January 2019, but he is not new to the theater scene. Mr. Klein has appeared in several ASPI productions such as The Wizard of Oz (the Wizard), Shrek (retiring knight and bishop), Odd Couple (Speed), Meet Me in St. Louis (Trolley Conductor), Annie (President Roosevelt), and Singing in the Rain (Audience Heckler). Mr. Klein has also contributed his talents as Assistant Director for Charlie Brown and lighting for Oliver! Prior to ASPI, Mr. Klein spent 28 years working for Charitable Foundations as the Director of Planned Giving. ASPI is excited to have Mr. Klein on board!


Abrams Spotlight Wedding Show is March 31

The Stadium View, JPS Nvitations and Abrams Spotlight Productions Inc. will present the Abrams Spotlight Wedding Show at the Byng Community Theater, 5852 Maple Street, Abrams. Brides, grooms, their families and friends are invited to attend the show, scheduled from 11 a.m. to 3 p.m. Sunday, March 31, at the theater. The Byng Community Theater, formerly a quaint country church, has been newly renovated and is now open for weddings and funerals.

bride and groom icon

Guests at the Abrams Spotlight Wedding Show will have the opportunity to speak directly to a variety of wedding vendors from Northeast Wisconsin. Vendors will provide information about their products and services, including wedding cakes, music, photography, invitations, make-up, and more.

Drawings for prizes will be held throughout the event.

Tickets are $10; however, fees will be waived for the first 200 registrants. Call the Abrams theater box office to reserve your tickets, 920-826-5852.

Wedding vendors interested in exhibiting at the show are encouraged to call the box office for prices and availability, 920-826-5852.

Click Here to print out your free ticket!

Abrams Spotlight Wedding Show Complimentary Pass

According to Oliver: 5 Life Lessons from Oliver! The Musical

Palace of Westminster in fog seen from London Eye
  1. Share a meal with friends (or strangers).

       “But there’s nothing to stop us from getting a thrill

        When we all close our eyes and imagine

        Food, glorious food!”

   2. Every walk of life is worth living, especially if you spend it with people you love.  

      “When you got someone to love

       You forget your cares and strife

       Let the prudes look down on us

       Let the wide world frown on us

        It’s a fine, fine life!”       

   3. It’s never too late to turn your life around or have a change of heart.

       “And tho’ I’d be the first one to say that I wasn’t a saint

        I’m finding it hard to be really as black as they paint

        I’m reviewing the situation.”

   4. Family are those who you choose to surround yourself with.

        “Consider yourself at home

        Consider yourself one of the family

        We’ve taken to you so strong

        It’s clear we’re going to get along.”

   5. While it makes for a good musical number, thievery is not condoned.

       “Large amounts don’t grow on trees

        You’ve got to pick a pocket or two.”

 

We’d do anything for you , our audience. So, come and see ASPI’s very own production of Oliver! Tickets are on sale NOW! For more information and to order tickets, go to www.abramstheater.com or call the box office at 920-826-5852.

What Christmas Means to Me

Picture this… You are lying in your bed and your eyes begin to flutter open. You look at your window and see that the sun is barely peeking through. It’s too early to wake up, so you begin to drift off. But wait! It’s Christmas morning!

SantaYou shoot out of bed and rush to your door. You go to wake up your parents, but there’s no time! You have to check under the tree! After months and months of asking and multiple letters to Santa because I have obviously been [fingers crossed] very good this year, your Christmas dream is about to come true. That’s right, the present you have been waiting all year is before you. Look at that perfectly wrapped box. You can almost taste your anticipation. You open the box… But what is this????? This isn’t what I asked for?!

Have you ever been there? Well Ralphie Parker knows the feeling. He so desperately wanted a Red Ryder Carbine Action 200-shot Range Model air rifle. The mother of all presents! If you don’t know how the story goes, I don’t want to spoil it for you, but I will say this:

“You’ll shoot your eye out!”

But if we are being honest, looking back on Christmases past, what do we remember most? Is it the presents? Or is it making cut out cookies with your grandmother. Picking out a Christmas tree. Going sledding. Singing carols. Snowball fights. Building a snowman. Sitting with your family as you all enjoy Christmas dinner. All that and more are the priceless moments that will last for a lifetime. Those are the cherished moments and traditions you will look back on in years to come with nostalgia. Now that is what Christmas is all about.

How will you use this holiday season to make a memory that will last a lifetime?

Need some holiday cheer? No bah humbugs allowed here! Tickets are going fast for ASPI’s production of A Christmas Story: The Musical. For more information on the show or to order tickets, go to www.abramstheater.com or call the box office at 920-826-5852.

Words from the Cabaret Director: Cate Kopkey

woman practicing piano From the company that brought you the laugh out loud hit “The 25th Annual Putnam County Spelling Bee”, After Dark Productions is pleased to present its daring and seductive performance of Cabaret. The American musical will be ASPI’s second After Dark Production and is directed by none other than Cate Kopkey.

So, sit back and get an insider look into this tantalizing production straight from the director herself.

How did you choose the production Cabaret?
This was somewhat of a fluke! The committee that chooses our productions was struggling to fill the After Dark slot and mentioned that Cabaret was available. I JUMPED at the chance! This was a bucket list show for me to direct because of its sometimes unnoticed depth.

What makes Cabaret different from other past shows at ASPI?
Cabaret requires a little bit of everything, and that makes it different (and difficult). Dancing, singing, acting, all three are a must! The show also involves the audience in a new way. The audience is actually part of the Cabaret, and we blur the lines between so many scenes in the show that it causes the audiences to really be fully involved.

What has been the most fun part about working on this production?
This cast is incredible. They were running scenes off book at the first rehearsal. They dig into everything 100% from choreography, music, to all of the nitty gritty dramatic scenes and that makes my job easy and a TON of fun. I can push them and they just go with it! It’s such a supportive creative environment that everyone is free to try things without fear or judgement.

What has been the biggest challenge in making this show a reality?
Making sure that everything is time appropriate has been a challenge. The Kit Kat Klub is a seedy place, stuck in the 1920s. That’s a hard atmosphere to achieve and with that comes old mannerisms, posture, and styles. As if the cast didn’t have enough on their plate!

Why should someone come out and see the show?
This show will keep your attention from start to finish! It is always a quick transition from song and dance to sad and serious and right back.

Bonus Round:

Describe the show in three words:
Progressive Emotional Powerful

Favorite Number?
Married

Favorite quote?
“Fraulein Schneider, don’t settle for the lowest apple on the tree, the one easiest to reach. Climb up a little way. It is worth it. Up there the apples are much more delicious.” – Herr Shultz

Which character do you relate to most? And why?
Oh gosh. That’s a tough question! Probably Fraulein Schneider. She is steady and consequently nervous about change.

This is sure to be one swanky number that you won’t want to miss! Sally Bowles, says it best, “What good is sitting alone in your room? Come hear the music play. Life is a cabaret, old chum, come to the cabaret!”

Tickets are on sale now for showings on September 13-16 and 20-23. For more information on the show or to order tickets, go to www.abramstheater.com or call the box office at 920-826-5852.