As a director myself-having recently guided Oklahoma! on stage-I’m always curious about the different ways creative minds approach a new production. I wanted to sit down with other directors to dive into their process and learn how they take a show from the very first spark of inspiration all the way to opening night. To get this inside perspective, I spoke with Legally Blonde the Musical Director Preston Pelegrin and Godspell Director Elizabeth Jolly-Haslitt. Both gave thoughtful insight into their creative processes-and despite their different experiences, their passion for storytelling shines just as brightly as the stage lights.
When asked where their process begins, both directors turned immediately to the script. Elizabeth reads the script three or four times, first straight through and then again while searching for thematic clues and character insights. “It’s not my vision but our vision, based on the script,” she explained, emphasizing the collaboration with designers and production heads to shape a cohesive concept. Preston echoed the importance of early groundwork, saying he starts by “reading the script and start plotting out and making detailed lists of what is needed,” then working with his team to use each person’s creativity to create a unified vision. Their early preparation blends analysis with imagination-laying the foundation for the world their cast and crew will eventually bring alive.
Auditions offer another exciting and challenging step. Elizabeth looks for openness, thoughtful preparation, strong choices, and the ability to take direction. She pays special attention to vocal and dance needs, and for youth productions, how age ranges fit the story. Preston focuses on passion and characterization, noting that performers don’t need to be the strongest singers or dancers as long as they “commit and portray your message.” Both directors emphasized the importance of authenticity and connection-reminding auditionees that heart often matters just as much as skill.
Of course, directing isn’t without its challenges. Elizabeth says the first rehearsal of tech week can test everyone’s patience as all the moving parts finally collide, but she also finds pure joy in opening night and in watching young performers light up with pride and confidence. Preston, preparing for his first official directing debut, said he is “excited to see what challenges we get to overcome to make a successful show” and looks forward to being “wowed on opening night when the community gets to share in the hard work and creativity.” And when asked about their dream shows? For Preston, he’s already living his-Legally Blonde the Musical is his dream production. Elizabeth fulfilled hers with Godspell, though she has always wanted to direct Priscilla: Queen of the Desert. Their journeys remind us that directing is more than a job; it’s a labor of love that brings stories-and entire communities-to life.
