Author: packerland

Abrams Spotlight Productions Inc. seeks donations for its online virtual auction scheduled in early December. A wide variety of prizes will be up for grabs at the ASPI Spotlight Auction on Friday, Dec. 4, to Sunday, Dec. 6 at www.biddingowl.com/ASPI.

These dates coincide with the scheduled opening of “Elf, The Broadway Musical.” Unfortunately, “Elf,” “My Fair Lady,” and “The Diaries of Adam and Eve” were canceled in 2020 due to Covid-19. The auction is a way for the community theater to recover revenue these shows would have provided.

Covid-19 not only affects nonprofits like ASPI, it also affects the small businesses that nonprofits rely on for support. Donors can support local businesses and the theater at the same time by purchasing gift certificates from local companies and donating them to the auction. Those interested in donating prizes, prize baskets, or gift certificates are encouraged to email theater.aspi@gmail.com or call 920-826-5852. Prizes are due Sunday, Nov. 22.

ASPI is a 501c3 nonprofit organization that presents musicals, comedies, and dramas at the Nancy Byng Community Theater in Abrams.Caption: Brigette Finger, a volunteer with Abrams Spotlight Productions Inc., shows prize baskets included in the ASPI Spotlight Auction on Dec. 4-6. To donate a prize, email theater.aspi@gmail.com or call 920-826-5852.

Our very own Mrs. Debra Jolly is costume designer for ASPI’s upcoming production of My Fair Lady. As she shares the styles of living in the 1910s from head to toe, imagine dinners on the Titanic and garden parties at Downton Abbey, the elegance, tradition, and attention to detail. My Fair Lady is Eliza Dolittle’s very own runway!

Everyday Styles

For everyday style, it all comes down to class! Upper class would have spent most of their day changing clothes to fit the activity. A feminine and lightweight day dress might have a square neckline or shawl collar, a higher waist and narrow skirt, and an overskirt. Popular fabrics of chiffon, lace, and satin were sure to adorn an upper class lady. For men, their suits were of a similar style as we see today, including a jacket, vest, white shirt and tie. Some activities would require a more formal suit with a long jacket, striped pants, white shirt complete with a cravat, vest, gloves, and a top hot. The ensemble would also include spats (or spatterdashes), a footwear accessory used to protect shoes from rain and mud.

If someone was of the middle class, their wardrobe would be much the same as the upper class, but with less trim and sturdier fabrics. There would also not be as many clothing changes throughout the day as you would see with the upper class women.

Individuals of the lower classes would be seen in older styles of clothing, often mismatched, and made of sturdier fabrics. Women’s accessories would include aprons and shawls. Many men would wear vests or jackets at work, often with a cap and a neckerchief. Because most of their clothing was secondhand cast-offs from the upper classes, working clothes looked more formal than today.

The Hair

No pixie cuts or man buns here! Even bobbed, or chin length hair on a woman was still considered a rebellious style.

Popular women’s hairstyles included the pompadour. This entailed being puffed out and slightly up at the front. And hold onto your seats because women used false hair pieces, or “rats” made of hair combings formed into rolls, to create the Pompadour hairstyle. Another popular style was the Gibson girl, puffed out hair complemented with a bun, or knot, at the top of the head.

Other popular hairstyles included Marcel waves, similar to finger waves; frizzed bangs, as made popular by King Edward’s wife, Queen Alexandra; low buns called Psyche knots after the Greek goddess; and braided twists.

With the fashion of large hats, hairstyles had to be big enough and sturdy enough to support the hat. For evening or indoor activities, hairstyles were softer and less puffed out.

Men’s hair was not as involved as their counterparts. Men usually wore their hair trimmed short and slicked back with oil or petroleum jelly. They also had a “pompadour” style where the sides were short and the top longer and pushed up, akin to the 50s style or Elvis. Handlebar mustaches, named after their similarity to the appearance of handlebars on a bicycle, also were having their time to shine!

Go to Accessory

We all have something that we cannot leave the house without. A signature scent? Favorite watch? During the 1910s, the go to accessory for both men and women was a hat. Regardless of class status, women, even lower-class women, would never be seen outdoors without a hat.

Formal Night on the Town

Here comes the glitz and the glam! Formal evenings were occasions for ball gowns, often with trains and long gloves. The look would not be complete without accessories! From jewelry to hair adornments such as feathers, flowers and jeweled combs or hair bands, women and young ladies were dressed to the nines. Satin slippers and fans, opera capes or cocoon wraps (a large circle of fabric with short sleeves at the wrists), complete the look.
While not as adorned by accessories, from their formal tuxedos with tails, complete with white shirt, best, tie, gloves, along with a top hat and opera cape, the men were sure to look sharp!

Dare to Wear

Slacks were still strictly for men. A woman in anything resembling pants was very risque indeed. Thanks to the Russian Ballet for introducing fashions of an oriental style, including harem pants. Dress hemlines were also becoming shorter. Exposed shoes and ankles? Gasp! Working our way up, it was also more common for ladies to forgo corsets. Oh my!

Eliza on Stage

ASPI is bringing a special early 1900s touch to the stage. The upper-class ladies will have large hats, which the cast members will decorate themselves! The lovely Pam Loberger, cast member and local expert on historic fashion styles, will be leading a workday session to help them create the proper look.

Are there any styles from the 1910s that you wish would make a comeback?

Many thanks to Mrs. Debra Jolly for her contribution to this blog post! You can see her efforts as choreographer, costume designer, and lighting designer in ASPI’s production of My Fair Lady. So put on your best and join us for performance running March 20-22 and March 27-29. For more information check out https://abramsspotlightproductions.com/ or call the Box Office at (920)826-5852.

Wendy Hiller, Julie Andrews, and Audrey Hepburn. What do these three ladies have in common? Each lady has dazzled audiences in the leading role of Eliza Dolittle in My Fair Lady. These three accomplished actresses transform with Eliza from a Cockney accented flower seller to regal “Hungarian princess”.  

Our first notable Eliza is Wendy Hiller, who appears in the 1938 British film adaptation of George  Bernard Shaw’s play Pygmalion. It was only natural for Hiller to be cast in the lead as she had already portrayed the character on the Festival Theatre stage in Malvern Worcestershire, England in 1936.

The film adaptation featured Hiller as leading lady and Leslie Howard as Henry Higgins. The adaptation itself was an Oscar winner for Best Screenplay and Hiller received an Oscar nomination for Best Actress.

The film held a first for Ms. Hiller. She became the first actress to utter the word “bloody” in a British film. The line, “Not bloody likely, I’m going in a taxi!” was in the original play and the filmmakers decided to keep the line in the film.

Throughout her 60 year acting career, Hiller was primarily a stage actress, but her most notable film roles include the role of Pat Cooper in the 1958 film Separate Tables, earning her an Academy Award for Best Supporting Actress, and the 1974 film Murder on the Orient Express as Princess Dragonmiroff, earning her the Evening Standard British Film Award for Best Actress.

Eighteen years after the film Pygmalion, the screenplay was adapted to the hit musical starring Rex Harrison as Professor Henry Higgins and leading lady Julie Andrews as Eliza Dolittle

The musical made its Broadway debut at the Mark Hellinger Theatre in NYC on March 15, 1956. The musical ran for a total of 2,717 performances, with its last being on September 29, 1962. At that time, it was a record breaking run! However, Harrison and Andrews did not appear in all of the performances. In 1957, Harrison was replaced by Edward Mulhare and in 1958 Andrews was replaced by Sally Ann Howes (who you may recognize as the actress who played Truly Scrumptious in the 1968 film Chitty Chitty Bang Bang).

In 1958, Rex Harrison and Julie Andrews reprised their roles in the London production of My Fair Lady. The production ran for 2,281 performances, with Harrison and Andrews exiting their roles in 1959.

Accolades all around! In 1957, the Broadway musical was a Tony Award winner with Julie Andrews receiving a nomination for her leading lady role.

For the 1964 film adaptation of My Fair Lady, producer Jack Warren cast Audrey Hepburn in the lead role, coming as a shock to the many fans of Julie Andrews! This was considered outrageous because fans believed Andrews was the embodiment of Eliza and that the role was made for her.

Another surprise came when audiences found out that Hepburn’s singing voice was not her own, and that it was in fact dubbed by Marni Nixon. While Hepburn’s vocals were not considered “good enough” for the role, her vocals can be heard in the chorus of the musical number “Just You Wait”.

At the 1964 Academy Awards, Andrews won Best Actress for her lead role in Mary Poppins, the award for Best Actor went to Rex Harrison for his role as Professor Henry Higgins, and the award for Best Picture went to My Fair Lady. While the film My Fair Lady received nominations in every major category, Audrey Hepburn did not receive a nomination for Best Actress in her role as Eliza. It is said that the lack of nomination, along with Andrews’ Oscar win, was to show support to Andrews and disapproval to Jack Warner for his refusal to cast her in a role that was viewed as rightfully hers.

While there was much controversy surrounding Hepburn in the role of Eliza Dolittle, Hepburn was a star and icon in her own right. Her prominent films include Breakfast at Tiffany’s, Sabrina, and Roman Holiday, just to name a few. Hepburn was a recipient of an Academy Award for Best Actress for Roman Holiday and a recipient of the British Academy of Film and Television Arts (BAFTA) Awards for Best British Actress for her roles in Roman Holiday, The Nun’s Story, and Charade.

ASPI’s very own Abby Frank will follow in the footsteps of the women before her to bring Eliza Dolittle to the stage.

Tickets are on sale NOW and wouldn’t it be loverly for you to join us! Performances run March 20-22 and March 27-29. Just you wait! This production is sure to be anything but ordinary. For more information check out https://abramsspotlightproductions.com/ or call the Box Office at (920)826-5852.